Danish Design Makers on
Blind Date at Orgatec 2024
The 2024 design challenge hosted by Danish Design Makers is about breaking with conventional collaboration methods between companies and designers. The challenge entails blind dating, meaning that participating companies and participating designers do not know who each other are until the big reveal at ORGATEC fair in Cologne on October 22nd.
Danish Design Makers is an alliance of designers with different nationalities, but all with strong ties to the Danish design tradition. Each year, they host a design challenge that all designers can apply to participate in.
This year, they have asked a number of European furniture companies to write an anonymous brief on a piece of furniture they would like to see come alive through the hands of an unknown designer. 12 anonymous briefs have then been randomly distributed between the 19 design teams.
On top of the blind date challenge, the project also includes an overall theme of reduction – and this is where Målbar comes into the picture. All designers have gained access to our climate screening tool to be able reduce the climate footprint of their designs.
Målbar has interviewed each designer about their design process, thoughts about the project, the theme, and their work with our tool.
On this page, you can dive into all these creative minds. And when the Blind Date has been revealed at ORGATEC on October 22nd, the articles will be updated with the climate results and reflections on these.
25 designers
Karen Toft
“I wish to create a calm environment in the exhibition, where people can explore. We have 19 designers and design duos exhibiting their design, and we have Målbar who also has an important role on the stand. Then we have the Blind Date concept and the overall theme of reduction that we want to communicate about as well. So, we have a lot to communicate on our exhibition stand”
Evalou Hauge
Evalou has studied three specific textile fibers, one from the animal kingdom, one from the plant kingdom, and one oil-based fiber. She will dive into the characteristics of each fiber and present her knowledge in a large book with hand drawings. Furthermore, she is designing a number of patterns for each fiber that she will present on paper at the fair.
Bly Studio
Anne and Eva like the blind date concept. They appreciate the opportunity to work with something concrete with a receiver at the end. They feel that this set-up gives them a possibility to show their ambitions to make responsible and conscious designs.
Nikolaj Steenfatt
Nikolaj’s work with reduction expands beyond the product. He has designed the product measurements to be flat packed in cardboard boxes that fit the measurements of standard euro pallets. Furthermore, he has selected materials that do not need much processing to gain the visual expression and functions, he wants.
Thomas E. Alken
Furniture made for the contract market must live up to high durability standards, which makes the reduction part a challenge. Thomas works his way around this by not compromising on the amount of material that goes into his design but rather he seeks to minimize waste and left over materials.
Antonio Scaffidi
Antonio thinks of an integrated design as being a design where the elements fit well together and meet each other in an elegant way. He wants to show this off in his design by assembling all parts with screws in a visible manner.
Steffensen & Würtz
Thomas and Pia also stress the fact that the tool becomes better the more experience you have with it. They agree that they would benefit from having a customized designer version of the tool, that could support them in their daily work to minimize the climate impact of their designs.
Thomas Sigsgaard
“I’m not going to present a design set in stone. I wish to be flexible towards the company, so they can contribute to the design with their experience and knowledge. To me, the most important thing is the principle or the concept of the design.”
Øivind Slaatto
Øivind has decided to work with wood, and he has cut down to the absolute minimum amount that can sustain the intended functions. He can create the flexibility, the comfort, and the durability his design requires by using only three millimeters of flexible veneer.
Rikke Frost
Rikke is serious about function. If a design does not have a function, it is not design to her, it’s art. Hence, her goal is to make a functional and moveable design that can be adjusted to different purposes and be put together in several modules and thus support a commercial function.
Steffen Juul
Steffen has worked to solve many functionalities with his design. But this hasn’t prevented him from peaking at the Målbar tool at the early stages of his design process, since he wishes to optimize his design in the name of reduction.
Vilde Hagelund and
Julie Strange
They are working on creating a responsive work setting that invites cooperation and community. They want their design to support agile working methods and eliminate hierarchy between co-workers.
Thomas Albertsen
Thomas has had many loose ideas in the beginning slowly narrowing them down to his final solution. He has designed a hollow element that is covered by a new textile that is heat treated to make it shrink. This is supposed to eliminate the need for any foam parts, as this textile is self-carrying and thus creates the seat and back rest.
Søren Duvald
Søren usually works expressively and often prioritizes form over function, but in this project, he wants to create a simple design that complies with the brief and the reduction theme.
Tine Mouritsen and Christian Lystager
This designer couple are working to create a voluminous lamp that is decorative both in use and off function. It is designed for the “in between areas” in an office space, in contrast to a working or desk light.
Studio FEM
The designers work to create a modular storage element that can be used for several purposes and customized to different needs and environments. They are designing for disassembly so that materials can be reused and recycled.
Gudmundur Ludvik
Gudmundur is building a piece of furniture that consists of four differently shaped cylindrical modules that can be put together in various ways for various needs. It will be an element that can change expression and shape as often as wanted, to follow changing needs, and taste, in order to prolong its lifetime.
Alvilde Holm
In the name of reduction, and because of the workshop that Målbar hosted, Alvilde wanted to create a piece of furniture that can change character so that if users get tired of the look, they can modify it. The thing is that lots of people replace their furniture long before it is worn out, because they grow bored by the appearance of it.
Troels Flensted
Troels is an experimental designer who works conceptually with objects. Usually, he begins his design process by being inspired by a material or a process. He then examines it to learn how it can be used in new ways to create different expressions. Troels creates unique furniture for exhibitions and gallery settings.
Saskia Hübner
Saskia is excited about her brief, feeling it encapsulates emotional qualities and articulates well what the design must express. With experience in designing for the contract market, she understands that lounge furniture typically needs to be large and voluminous.